FEATURING ARTISTS

Sandra Araújo is a digital artist that spent endless hours shooting at monsters & strolling through mazes. so, it only felt natural for her 2 evolve through an experimental & explorative process of the visual culture of video games & popular gif files. also feeds on social media platforms 2 engage her animations into the depths of gameplay plots. she still plays old school computer games.

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Peter Clough's interdisciplinary work uses video, sound, sculpture, and perofrmance to address the queer body as a personal and political site of trauma, stigma, desire and empowerment. Clough was born in Boston in 1984 and received an MFA from NYU Steinhardt in 2009. Clough is represented by haul gallery and lives and works in New York.

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Felix Kraus is the founder of The Swan Collective and studied media art at the Academy of Fine Arts in Munich. He received the scholarship 'Studienstiftung des deutschen Volkes'. The group mixes different techniques like Virtual & Augmented Reality, literature, painting and paper embossments. Works of the collective were shown in institutions like Kunstmuseum Stuttgart, CCBB Brazil, Goethe Institute in Toronto, C-Gallery Milan, Gallery Casciaro Bolzano, Espronceda Barcelona & Egyptian Museum Munich.

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Adrien Cruellas was born in 1990 in Paris. He lives and works in Paris. He is graduated from École supérieure des Beaux-Arts de Nantes Métropole. Today his main tool is 3D modeling with which he create digital environments that he consider as the place of interaction between the virtual and the real. And thanks to them, the experimentation of new perceptual scenarios. From this modelling practice was born the possibility of inventing worlds richly composed of new ecosystems.

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Norbert Delman, Born 1989 in Warsaw where he lives and works. Graduated Academy of Fine Art Warsaw in Mirosław Bałka studio 2009-2014, studied Fine Arts in University College Falmouth 2010 (UK). He is also an experimenting curator, co-founder of Stroboskop art space in Warsaw. Delman analyzes the contemporary body’s condition through social tensions, its’ positioning in social media, through the creation of avatars, in sport, fitness, and other activities. He has worked with prisoners, bodybuilders, and sportsmen, Delman is also interested in the Post-body and concept-archives of presence, from a virtual perspective. He tries to recognize how our physical form is changing and what incites these transformations. Delman is a posthuman sculptor who plays with concept of body and no-body. co founder of artistc art space called Stroboskop – Art Space, STROBOSKOP is a site for experimentation and risk-taking, which has been created as an alternative to the local and national Polish art scene.

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Author, video artist and performer. With her dual philosophical and artistic training, Sandrine Deumier constructed a multifaceted poetry focused on the issue of technological change and the performative place of poetry conceived through new technologies. Using material from the word as image and the image as a word vector, she also works at the junction of video and sound poetry considering them as sensitive devices to express a form of unconscious material itself. The process of writing and the mobile material of the image function as underlying meanings of reflux which refer to the real flickering and to their reality transfers via unconscious thought structures. Her work consists mainly of texts, digital poetry, multimedia installations and audiovisual performances in collaboration with composers.

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Sid and Geri is an art brand established in 2016, Taiwan. The brand collaborates with different types of people around different culture. By deploying various mediums through video, animation, multi-media as well as space installation, their work reflects the daily living experience and grapples with the most prescient social issues of our reality.

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Julie Grosche (b.1986, France) lives and works between the US and France and is a graduate of ENSA Dijon. Her video work convenes group dynamics where individuals ask existential questions. Chants and mantras exult as the only technology that connects characters to each other and demand a revision of the power structure. Her work has appeared internationally, most recently she has shown at Villa du Parc, Annemasse, Like a little disaster, Italy, Ditch Projects, Eugene, OR and Galerie Escougnou Cetraro, Paris. She co-founded PMgalerie in Berlin, Bcc an itinerant curatorial platform and ASMBLY a school prototype. 

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Bianca Kennedy studied art at the Academy of Fine Arts in Munich and completed her diploma with a Meisterschüler-degree (2017). Scholarships have brought her to North America, Barcelona, Athens and Tokyo. Kennedy's animations, VR experiences and site-specific installations were shown at CCBB Rio de Janeiro, MACBA Barcelona, Literaturhaus Berlin and Colombo Art Biennale in Sri Lanka among others.

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I want belief and doubt, devotion and rejection, all in cohabitation like the lion and the lamb lying together in the Millennium. As a Mormon missionary, truth was something to be proclaimed. Now, I appreciate the possibilities of infinite simultaneous fictions in creating art rather than obsessing over dictating a single reality. Deep in the red rock deserts of Utah, in a place christened after Saint Raphael, I became a child prophet. I took upon myself the gross sins of my father as if a weighty mantle. I heard the carefully timed cries of my distraught mother. Supplication was offered up unto the lord to wipe my sister’s and my mind clean. Cotton pulled out of the ear of the stuffed elephant late in the night with whispered covenants. Incest. Religion. Truth. Evangelism. Genealogy. Generations. Consciousness Eternal, Memory Transcribed, in Flesh, in Blood, in Semen, in Egg, one Mind in one Time, then, now, and ever hereafter.

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Tasha Lizak was born 1996 in London. She lives and works in Glasgow, where she has recently graduated from Sculpture and Environmental Art at the Glasgow School of Art. Her practise explores the emotional paradoxes of hyper-connectivity in the network age. Mixing humour and melancholy, she seeks to extract emotions of desire and despair of the user/citizen experience of the tech metropolis. She has recently shown work in group shows at Somerset House Studios(London), Outpost Gallery (Norwich) and Platform (Glasgow). Tasha has recently been awarded the Scottish Sculpture Workshop Graduate Award Residency, which she will be participating in this November.

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Miriam Naeh (b.1988, Jerusalem) Lives and works in London. Holds a MFA in Fine Art with distinction from Goldsmiths University of London (2018) and a BA with honors from Musrara School of Art, Jerusalem (2014). In her work she collects ‎and assembles fragmental elements and situations from different territories, and makes a ‎mixed arena of visual absurdness. She‎ uses photography, video installation, ready-made, ‎sculptures and recorded ‎performance in order to appropriate and reshuffle the visual evidence ‎that has been ‎drawn from reality, thus creating an unreliable report which can shift its focus ‎‎towards possible – possibly fictive – untold stories.

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Anna Lucia Nissen is a German artist working in Berlin. She works across installation, sculpture, performance, video, sound and text. Navigating the space between performance and installation she creates “walk-in-environments” that the audience encounters not only on the intellectual but also on the physical level. In her work she is examining the constitution of the human body trapped within the claws of neoliberal capitalism and their humorous but tragic attempts of liberation and escape. By looking at the role of rituals and symbols of our time, her interest lies in how the eeriness of desire and disgust towards objects of the consumer culture can take shape. She has graduated from the Städelschule Frankfurt am Main (2015) and received an MFA at the Glasgow School of Art (2015)

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Yoshie Sakai is a multidisciplinary artist, working in video, installation, performance, and sculpture. She received her BFA from California State University Long Beach and her MFA from Claremont Graduate University. Sakai sees herself as an undercover cultural agent exposing the absurdities of a manipulative social structure while at the same time humorously struggling and reveling in it as a participant. She explores humor as a complicated intersection where hope, happiness, anxiety, and darkness reside in our society, a tension-filled existence of both criticality and complacency.

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Florian Sumi was born in 1984 in Burgundy, he lives and works in Paris. He is represented by Galerie ValeriaCetraro, Paris. He's graduated of the École Nationale Supérieure d'Art de Dijon, France, under the mentorship of Marc-Camille Chaimowicz. What marks Florian Sumi's practice is the work of design, in addition to that of creation, to which he is committed. In this respect, he would be close to the designer or architect seeking, on the one hand, the systemic nature of the things of our world and producing, on the other hand, a series of objects whose structure is refined as the sketches are made. These objects generate uses, in the sense that they are made useful by their use, but nothing in this use is commonly received or generally accepted. Pill box, lightning rod, ashtray... prototypes or models, Sumi objects all have an actual or potential functionality, experienced in particular in filmed or photographed scenarios.

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Mu Tian (b. China 1985) lives and works in London. Currently studying MA Sculpture at Royal College of Art. His recent projects include a public sculpture at Broomhill Sculpture Park, (2019); solo exhibition at Dirty House, London (2019) and HIVE CENTER FOR CONTEMPORARY ART(2019), Residency program at ZK/U Berlin (2019). Mu Tian is also a member of the Royal Society of Sculptors since 2018.

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Adrian Dwitomo aka Tomo/Toxicmotel (b. 1992) does not have a flair in expressing himself verbally, Tomo decided to inhabit the niche realm of glitch art. In the process of crafting his talent in digital work, Tomo constructed his own style in digital destruction or glitching. This expressionist glitch approach derives from his interest in surreal art, collage art and psychedelic art, which then he interpret it with his own touches. Living to find a balance between depression and passion in creating glitch art,Tomo pours a lot of emotion in his work. His purpose is to create his own ultimate ideal world as he coined the term "Maximum Ultra Idealism"

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Born in West Covina, California, in 1982 at a mere 1 lb. 2 oz., Evan Wright was placed on oxygen for six months which caused him to develop Stage 5 Retinopathy of Prematurity (ROP), and he is now only able to see light and dark. Diagnosed with only a 5% chance of survival, as his doctors believed he would succumb to pneumonia, Evan defied all odds by graduating in 2002 from John A. Rowland High School in Rowland Heights, California, where he began his pursuit of the arts. He performed in the show choir for four years and then returned for another three years after graduation as the tenor section leader for the boys’ choir.  From 2005 to 2016, he was at First Street Gallery Art Center in Claremont, California, where he developed and shined as a mixed media artist doing everything from drawing and painting to sculpture and tile work. According to Evan, a highlight from his time at First Street Gallery Art Center was being able to perform with John York of The Byrds when they were introduced to each other by York’s wife. Their heartfelt performance can be seen at the following link: Evan Wright and John York of The Byrds. Evan continues to work out of San Gabriel Valley Regional Center in Pomona, California. 

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Leah Wulfman is an architect, educator, media artist and occasional writer based in Los Angeles. Trained as an architect, she has been assembling hybrid virtual and physical spaces in order to prototype new relationships to technology and nature. Using analog materials and emerging technologies, her research approach centers around how we conjure and describe the body between and beyond the internet. In addition to mixed-reality installations that play with and emphasize the physical, material basis of everything digital, she is presently working on a loose writing series Living off the Land, a causal, poetic conjuring of all the ways we live off the land, while staying on the grid—from themes like ‘Deep Unlearning’, to our potential interactions with a Jacaranda Tree in full bloom witnessed through Google Earth.

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Yaloo is a South Korean born visual artist working with digital media based in Seoul and Chicago. She received BFA 2012 MFA 2015 from School of the Art Institute of Chicago focusing on video installation. Under an inseparable influence of Asian heritage and a mind of habitual tourist, Yaloo creates technically rich, visually extravagant works that deals with the images of contemporary culture that reflects the timeless quest for advancing human conditions and sense of well-being. Yaloo experiments her video installations in varies forms from single channel video, large scale media façade, projection mapping sculptures, digital textile to Virtual Reality application.Yaloo's works lead the audience to an immersive experience reminiscent of a theme park.

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